In a 1984 issue of Heavy Metalhe wrote: “I am continually annoyed by careless references to “The Sentinel” as “the story on which 2001 is based” it bears about as much relation to the movie as an acorn to the resultant full-grown oak. Though it seems Clarke would have objected to this characterization of the relationship of story to film. Clarke and Stanley Kubrick developed the film 2001: A Space Odyssey and the novel 2001: A Space Odyssey at the same time, both based in part on Clarke’s “The Sentinel,” which was originally written for a BBC contest (it was not a finalist). Clarke’s “The Sentinel” (1948), published in Ten Story Fantasy as “Sentinel of Eternity” (1951) Hopefully, they’re all at least in range.Ģ001: A Space Odyssey (1968), based on Arthur C. Story of Your Life) here, though they are often included in similar lists.Īs a point of interest, I’ve also compared the lengths of the original short stories to the lengths of their film adaptations, and organized them from widest to least difference-but be warned that editions vary, so the page lengths listed here are from whatever book I could get my hands on (or preview online) and may not match your own version. I did my best to limit this list to films truly adapted from single short stories, excluding adaptations of groups of stories (like Julieta), adaptations of full collections, and adaptations of novellas or anything else long enough to be typically published as a standalone book (other than as a film tie-in), which means you won’t see Stand By Me (a.k.a The Body) or The Shawshank Redemption (both novellas collected in King’s Different Seasons, by the way, along with Apt Pupil and The Breathing Method-adaptation coming in 2020) or Breakfast at Tiffany’s or Arrival (a.k.a. Most of them are based on novels, or novel series, which only makes sense-there’s often a ton of material to work with-and things usually have to be cut, but when movies are based on short stories, there’s the trickier business of expansion. Spoilers ahead for those who have not yet seen Arrival.Literary adaptations have always been popular on the big screen, though every year it seems they’re more popular than ever. In fact, the hints were so well-planted that in a recent conversation, Hotte revealed that while rewatching the film, even he picked up on clues he had missed the first time around. Perhaps even more astonishing than said final-act twist-which was brainstormed by Ted Chiang in his 1998 short story “Story of Your Life,” on which Arrival is based-are the clues that production designer Patrice Vermette and set decorator Paul Hotte cleverly embedded into the design of the film to telegraph the film’s surprise revelation. If Oscars were given for mind-blowing twists, Denis Villeneuve’s beautiful, thought-provoking sci-fi film Arrival, starring Amy Adams, would win hands down this February 26. Check every day this week for another close-up look at 2017’s Oscar nominees. With voting open for this year’s Oscars, we’re taking a closer look at some of the craftspeople nominated for the year’s best films-from the people who re-created the Golden Age of Hollywood for the Coen Brothers to the makeup artist who redefined a pop culture icon.
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